Icons galore -- but no powerful central narrative. So what's the message?
‘A nation needs its own fiction. It is for this reason that many countries have used fictional narratives to create a self-image.’
Enric Castelló in ‘The Production of Television and Nation Building, The Catalan Case’, European Journal of Communication, 22, 1, 49-68.
In the summer of 2014 Ruth McElroy of the University of Glamorgan re-ignited the debate about the manner in which the national identity of Wales is projected through the media -- and in particular through television programming. While acknowledging the great success of BBC Wales dramas like Dr Who, Torchwood, Sherlock, Merlin and Casualty (and recently Hinterland) she said: ".........the challenge now is to transform this network success into making a new BBC Wales that has something imaginative and entertaining to say to and about Wales and not just from Wales. Because whilst network successes like Doctor Who and Casualty can provide jobs in Wales (for my students included) what they have not really done is tell us very much about ourselves. A national broadcaster should have something to say, not just something to make. And if that nation is bilingual, then the stories it tells must be too. "
Reference:
Plan of Action? Responding to Tony Hall
Ruth McElroy calls for a plan of action for English language TV in Wales
July 2nd, 2014
http://www.clickonwales.org/2014/07/plan-of-action-responding-to-tony-hall/
Ruth was building on the findings of a big study published a few years ago, after a programme of research by the University of Glamorgan in collaboration with the BBC Trust and Audience Council Wales:
S. Blandford, S. Lacey, R. McElroy & R. Williams (2010) Screening the Nation: Wales and Landmark Television. Report for the BBC Trust and BBC Cymru Wales Audience Council.
http://culture.research.southwales.ac.uk/screeningthenation/
That research examined the representation of Wales in landmark BBC television drama made in Wales. Published in March 2010, the report used interviews with audiences and textual analysis of popular shows like Dr Who and Torchwood, to shed light on the complex relationship between television production, its locations, and the impact of local, regional and national identity. One of the questions at the end of the study was this one: what is the visibility of Welsh stories outside Wales? Although the language in the report was very diplomatic, and there was great praise for BBC's huge success in the making of big networked drama productions sold throughout the world, there were many comments which suggested a sense of dissatisfaction about the BBC's failure to represent, through landmark home-grown drama series, the spirit and the soul of Wales in a manner that is neither stereotyped nor over-simplified. Think Belonging, Pobol y Cwm, and Gavin and Stacey.......
Ruth was also responding to some of the things that BBC Director General Tony Hall said in April 2014 in a speech to the Welsh Assembly, including the following:
"........ I do believe the BBC will need to think hard about how it strengthens its support for national and regional self-expression as it prepares its case for a new charter. And I would like to invite you all tonight to be a part of the debate."
‘............there are some aspects of national life in Wales that are not sufficiently captured by the BBC’s own television services in Wales, and I would include comedy, entertainment and culture in those categories’.
".........English language programming from and for Wales has been in decline for almost a decade’.
BBC Director-General Speech at the Pierhead
On the 50th Anniversary of BBC Wales, Director-General Tony Hall delivers a speech about the BBC’s role in Wales.
April 1st, 2014
http://www.clickonwales.org/2014/04/bbc-director-general-speech-at-the-pierhead/
In response to this Rhodri Talfan Davies, the Director of BBC Wales, said:
"........looking ahead, Tony Hall was surely right to say that we will need to think hard about how we can strengthen our support for national and regional self-expression as we prepare our case for a new Royal Charter." (BBC Wales Management Review 2013/14)
http://downloads.bbc.co.uk/aboutthebbc/wales/review_wales_2014.pdf
Fine words but not much action, and in her short piece Ruth was asking for some strategic thinking and for a Plan of Action designed to give the people of Wales the programmes they deserve -- portraying and reinforcing a sense of national identity (including bilingualism and diversity) and at the same time, through effective marketing, selling Wales to the world. That, one might have thought, would be something of interest to the Welsh Government and Visit Wales.
This brings me to costume drama. Think about it. There has not been -- ever -- a landmark costume drama made in Wales which portrays Wales and its "national identity." A number of observers have commented that the Welsh TV industry (which includes BBC, S4C, ITV and a number of very successful independent production companies) is deeply conservative, to the point of timidity. Is "complacency" the right word? Maybe not. The BBC has -- since the days of Menna Richards -- placed its priority on demonstrating its skill in the making of big TV dramas for sale into a global market, and is hugely successful in that regard. So praise where it is due. But is there at the same time an obsession with steering clear of simplistic and stereotypical portrayals of Wales -- male voice choirs, harp music, coal mines, Dylan Thomas and rugby? A number of observers have noted that the portrayal of Wales, for the people of Wales, by the main broadcasters lies for the most part in worthy and very conservative documentaries -- Iolo Williams talking about the beauties of nature, Derek Brockway talking about the great outdoors, Huw Edwards talking about Welsh history, and assorted Welsh people (including me!) talking about their hopes and aspirations and about their love for their homeland. And of course, saturation rugby coverage...... (I'm not complaining about that, but you get my point.) All very safe and comfortable, and uncontroversial.
There are TV and film dramas, of course, including Gavin and Stacey, Belonging, Pobol y Cwm, Crash, Submarine, but there does seem to be a very strong emphasis on gritty dramas about dysfunctional young people caught in miserable urban environments. Welsh Noir, if you like, which brings us to The Killing, which brings us to Hinterland (which has the saving grace of being more rural than urban...........)
Back to big televised costume or period drama -- the sort of drama which reminds a nation of its roots, its strengths and its foibles, and makes it feel good (or bad) about itself. In Wales, nothing. In England, and endless sequence of series based upon the plays of Shakespeare, the novels of Dickens, Hardy, Austen, Bronte and Trollope, and other "classics" like Poldark, Downton Abbey, Upstairs/Downstairs, When the Boat Comes In, Brideshead Revisited, Onedin Line, The Forsyte Saga, and now The Village written by Stephen Moffatt...........
In Ireland: Ballykissangel, Father Ted, Game of Thrones, and many series of powerful dramas based upon the Northern Ireland troubles.
In Scotland: Monarch of the Glen, Tales of Para Handy, Dr Finlay's Casebook, Machair, Hamish Macbeth, Taggart, Rab C Nesbitt.
Accepted that some of those series pander to national stereotypes to the point where one cringes rather than applauds, but at least they do represent and sell the "national identites" of the nations of the UK while reinforcing national self-esteem. The blockbusters like Torchwood and Dr Who give occasional glimpses of Wales because that's where some of the filming went on. But I suspect I am not the only person who complains about a total lack of coherence and vision with respect to the effective marketing of Wales through the medium of TV drama.
So where is this landmark costume drama TV series going to come from? From the novels of Alexander Cordell? Tough, gritty novels written with flair, but there is no continuity to them and no single dominating character whose story needs to be told across an extended series, or two, or three......... Based on Dylan Thomas? Nothing substantial in dramatic potential apart from the work of genius called Under Milk Wood -- and a lot of whimsy. The Angel Mountain Saga is really the only game in town -- eight novels set in the most crucial decades of Welsh history (the early part of the nineteenth century) and with a large and expanding fan base. The market research is already done. And with a flawed and instantly appealing lead character called Martha Morgan. She is, of course, Mother Wales -- but in another sense she is universal and timeless, with characteristics that are comprehensible in any culture on the planet. She is a complex tragic heroine, whose beauty is her blessing and her curse. She is sexy, compassionate, loyal, idealistic, hard-working, feisty, courageous, protective of those in her care, and completely irrepressible. But she is also at times deceitful, vain, manipulative, with a tendency towards introspection and depression and an irresistible urge to interfere in things she would be best advised to steer clear of. Somehow, in the stories, her "angels" manage to keep her alive while mayhem occurs around her (mostly because of her) and others fall by the wayside. Big TV series need sales potential worldwide, and they must have characters with which viewers in New York, Tokyo, Berlin and Rio de Janiero can empathise. Martha Morgan fits the bill -- we know that, from the feedback from readers of the series from all over the world.
A landmark costume drama series set in Wales will surely come. It has to. And soon. But as somebody stated in one of the commentaries on TV in Wales, wouldn't it be ironic if that series was to be made in Hollywood, for a network other than the BBC? Ironic? Let's correct that -- it would be an outrage.
That's enough of a rant from me. It's a beautiful day, and there are things to do in the garden. Oh - I almost forgot to mention it -- the rights are still available. Just get in touch, and we can talk.
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